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Some of the best Belgian DJ’s around, likef Fredo & Thang, Smos & Baby Bee, Lefto, Jules X, DJ 4T4, Laston & Geo and Les Frères Deluxe throw the best summertracks in the mix.
Chocolat’s – The French Way
Gepy & Gepy – African Love Song (TJ Gorton edit) – Pat Les Stache Presents
Ashford and Simpson – Street Corner
Ashford and Simpson – Stay Free (Dims DJ friendly mix)
Lime – Babe We're Gonna Love Tonight
Easy Going – Fear (disconet mix)
Evelyn Thomas – High Energy (12 inch)
Motown Sounds – Bad Mouthin’
Asphalt Jungle – Freakin’ Time part 1 1979
Lipps Inc. – How Long
Moonbase – Waiting For A Train (12 inch vocal version)
Mystic Merlin – Sixty Thrills A Minute
Bilbo – Sex Machine
Joe Thomas – Make Your Move
Phillip and Llyod – Keep On Moving
Chi-Chi Favelas And The Black And White Band – Rock Solid
Bamboo – Hey, Hey, Hey (Pat Les Stache re-edit)
Cerrone & Claudja Barry – Trippin’ On The Moon
Claudja Barry – Trippin’ On The Moon (original vocal version)
Madonna – Give It 2 Me
Diamond Vampires – Friday Nights
Fleetwood Mac – Everywhere (12 inch)
COMBI – It A Late
Maze feat. Frankie Beverly – Twilight
Soft Rocks – Black Magic
Squarepusher – Welcome To Europe
Gary Wilson – Debbie DebbieThe brain-damaged electro-funk of Gary Wilson was new wave when the label was still mainly used to categorize punk acts with a sweet tooth for pop. Completely ahead of his time, Wilson used chilly synthesizers and bizarre sound effects and samples to tell his odd tales of love and sex. In 1977, Wilson recorded his debut LP You Think You Really Know Me in the basement of his parents' house in Endicott, NY. Home tapings started becoming prevalent in the '90s, but in the late '70s, Wilson was an indie pioneer, releasing a strange lo-fi record that eventually influenced Beck. Moreover, the LP inspired Olympia, WA, college radio station KAOS to spin underground artists, helping to cultivate a taste for non-commercial music that later gave birth to K Records and Sub Pop. Legendary Seattle DJ Stephen Rabow even presented one of Wilson's gigs in the early '80s.
Wilson toured with his group, the Blind Dates, at times covering their bodies on-stage with flour. But the masses were not ready for Wilson's eccentricities.
Wilson did not release a follow-up to You Think You Really Know Me; nevertheless, the album's cult status grew as years passed. Finally, in 2003, Motel Records released Forgetten Lovers, a follow-up album of sorts assembled from Wilson's previously unreleased material, rarities, and vinyl-only pressings from 1973 to 1982, further solidifying Wilson's stance as the unsung hero of indie rock. The new record Mary Had Brown Hair was released in 2004 on Stones Throw.
Michael Sutton, All Music Guide
It’s a summer recess right now. All my favorite radio show are on a holiday and are being replaced by live coverage of the music festivals.
So tonight instead of tuning into the radio I’m watching a cheap video from a old cult movie. It’s the greasy animated fantasy gore and slut from Heavy Metal. I’ve watched it before, really a long time ago over at some friends house but because of the recent Southpark tribute to this 1981 movie, I decided to give it another go. I found an online copy of it. The soundtrack is pretty ok. I really like the theme song. I’ve got two versions of it. The soundtrack version by Sammy Hagar and a version by Don Felder from the Eagles. They’re both from 1981 so I can’t figure out which one’s the original and which is the remake. They’re both quite distinctly different so I’m posting both of them.
Sammy Hagar - Heavy Metal
Don Felder - Heavy Metal (Takin' A Ride)
Turns out that they both are a part of the original soundtrack. Case closed.
Did I listen to pop music because I was miserable ?
Or was I miserable because I listened to pop music?
John Cusack, in High Fidelity
Katy Perry – I Kissed A Girl
Katy Perry – Ur So Gay